Review | By TJ Norris / Toneshift
Path of the Wind | Eisuke Yanagisawa
The unprocessed field recordings of Eisuke Yanagisawa were made all around Japan (2014-17) using Aeolian Harps (a stringed wind harp). On his fourth solo record since 2009, Path of the Wind includes seven tracks with a run time of over forty minutes, each named after their location or single subject as titled. Kyoto-based Yanagisawa is an ethnographer and filmmaker as well. The recording begins with Ferry Passing. It’s amazing to think that he is basically placing the instrument, in-situ, and it is able to channel the air and natural environment in this way, with only the sounds of the un-manned instrument and the nearby surroundings. []

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