{"id":196,"date":"2007-09-17T22:31:08","date_gmt":"2007-09-17T20:31:08","guid":{"rendered":"http:\/\/www.gruenrekorder.de\/?page_id=196"},"modified":"2007-09-17T22:31:08","modified_gmt":"2007-09-17T20:31:08","slug":"robert-curgenven","status":"publish","type":"page","link":"https:\/\/www.gruenrekorder.de\/?page_id=196","title":{"rendered":"Robert Curgenven"},"content":{"rendered":"<p><strong>Robert Curgenven<\/strong><\/p>\n<p>Working with harmonics, textures and resonance as articulated not only through instruments\/objects, in space and place, but also in time and the dislocation of the remote, Robert&#8217;s sound explores slowly shifting layers in the fabric of fields of perception.&nbsp;<\/p>\n<p>Robert inaugurated &quot;Sounds Unusual &#8211; Northern Territory for New Music&quot;, now in its second year in northern Australia and also &quot;Recorded Fields&quot;, a label for sound art and field recordings based in Central Australia. He has released a solo CD for privatelektro, &quot;cichaczem&quot; (2005), which was described by &quot;disquiet&quot; magazine as:&nbsp;&nbsp;<\/p>\n<p>&quot;absolutely beautiful distillations of sound mixing the familiar textures of field recordings, including falling snow and the period after a thunderstorm, with hyper-sensitive recordings of a grand piano that suggest the open spaces only alluded to by most synthesizers&quot;.&nbsp;<\/p>\n<p>His soundtrack to Lezsek Paul&#8217;s &quot;Terrain der Zeit&quot; has has been included in screenings at Prix de la Creation Video, Clermont-Ferrand, France (2007), Filmfest Dresden, Germany (2006) and Experyment V Internation Art Meeting Zbaszyn, Poland (2005). He has had installations\/group exhibitions in Darwin, Fremantle, Koln and Berlin. Robert has performed at Transmediale (Berlin) events throughout Australia, and tours of Germany, Netherlands, Belgium, UK, France and Japan.&nbsp;<\/p>\n<p><a href=\"http:\/\/www.soundsunusual.com\" target=\"_blank\">www.soundsunusual.com<\/a><br \/>\n<a href=\"http:\/\/www.recordedfields.net\" target=\"_blank\">www.recordedfields.net<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a rel=\"lightbox\" href=\"https:\/\/www.gruenrekorder.de\/Photos\/autumn_leaves\/robert_curgenven\/curgenven.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"135\" border=\"1\" alt=\"photo credit: katie hepworth\" title=\"photo credit: katie hepworth\" src=\"https:\/\/www.gruenrekorder.de\/Photos\/autumn_leaves\/robert_curgenven\/curgenven.jpg\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>&quot;Silent Landscapes No. 2&quot;<\/strong><\/p>\n<p><a href=\"https:\/\/www.gruenrekorder.de\/gruenrekorder\/1\/autumn-leaves-cd-1\/04.robert_curgenven-silent_landscape_no._2.mp3\">MP3<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Nightfall by a riverside camp near Wollumbin (Mt Warning), walking in dry grass, the sharp call of a single insect emerges. Above the nearby road, power lines catch the breeze &#8211; an echo finding resonance over 3000 kilometres west at Karlu Karlu (Devil&#8217;s Marbles) in Central Australia, where the wind strikes a parallel rhythm some years before. Further north, other winds blow in grevilleas lining the Buchanan Highway, en route to the Tanami Desert. Along a river, 20 metres deep in a flood that isolates a town, crickets pulse agitatedly on the Tropics&#8216; edge. Two thousand kilometres east, aeolian currents bring the Musical Fence in Central Queensland to a slow crescendo. Finally, 2000 kilometres south east again, returning through the grass to camp, the cycle is, for now, complete.<strong><br \/>\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Robert Curgenven Working with harmonics, textures and resonance as articulated not only through instruments\/objects, in space and place, but also in time and the dislocation of the remote, Robert&#8217;s sound explores slowly shifting layers in the fabric of fields of perception.&nbsp; Robert inaugurated &quot;Sounds Unusual &#8211; Northern Territory for New Music&quot;, now in its second [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-196","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/pages\/196","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=196"}],"version-history":[{"count":0,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/pages\/196\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}