![\"series](\"https:\/\/www.gruenrekorder.de\/Photos\/gruen_215_cover.png\" "\\"series")
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series invisible | Christoph Korn<\/a> & Lasse-Marc Riek<\/a><\/strong> <\/p>\n Audio work by Christoph Korn and Lasse-Marc Riek, 2004 \u2013 continuous<\/p>\n <\/p>\n With the use of an audio recorder, the sounds of selected places or specific sonic phenomena are recorded. At a later date, these initial recordings are deleted again. This process is captured in the form of „writing“. Thus a series of notations is being created.<\/p>\n <\/p>\n Example: <\/p>\n In January 2023, all the notations created since 2004 were recorded in the studio of the S\u00fcdwestrundfunk (SWR) by a female and a male voice. The CD edition presented here is a selection of them. The read out notations always alternate between a female and a male voice. The duration of the originally recorded sound material is kept as silence.<\/p>\n <\/p>\n Voices: Caroline Junghanns<\/a> and Ole Lagerpusch<\/a> <\/p>\n Made possible by a grant from the Stiftung Kunstfonds<\/a> (Neustart Kultur), Startnext and the Department of Culture of the City of Hanau<\/a>.<\/p>\n <\/p>\n Thanks to Nora Grozdek for the encouragement and support, to the team of U9 for the wonderful artwork. Thanks to Claas Morgenroth, Manfred Hess (SWR) and Roland Etzin. Thanks to Christian Klisch, all Startnext supporters and the city of Hanau.<\/p>\n <\/p>\n Sound Art Series by Gruenrekorder <\/p>\n <\/p>\n Georg Imdahl<\/strong> <\/p>\n <\/p>\n Achim Wollscheid<\/strong> <\/p>\n <\/p>\n Links and further projects:<\/strong><\/p>\n <\/p>\n All erasure notations created since 2004 have already been made available on the website www.series-invisible.de<\/a>. In 2007 and 2013 respectively, one book with a selection of erasure notations was released by the audio publishers Selektion, Revolver and Gruenrekorder<\/p>\n <\/p>\n series invisible – collection 1 (2007)<\/a> <\/p>\n A further approach to this project was the performative realisation of the material. A three-day Performance<\/a> took place as part of the Wandelweiser Festival „Klangraum 2016“ at Kunstraum D\u00fcsseldorf.<\/p>\n <\/p>\n In 2008, „series invisible“ was nominated for the French sound art award „Phonurgia Nova Award<\/a>“ and received a special mention.<\/p>\n <\/p>\n In the eponymous radio production on SWR2 (first broadcast on March 25, 2023), all notations from the period 2004-2022 are read. <\/p>\n <\/p>\n <\/a>Reviews<\/strong><\/p>\n <\/p>\n Rigobert Dittmann | Bad Alchemy Magazin<\/a> (122)<\/strong> series invisible | Christoph Korn & Lasse-Marc Riek English | Deutsch Gruen 215 | Limited Edition Box Set with 10 CDs and book > [order] Reviews Audio work by Christoph Korn and Lasse-Marc Riek, 2004 \u2013 continuous With the use of an audio recorder, the sounds of selected places or specific sonic phenomena […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-20378","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/pages\/20378","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20378"}],"version-history":[{"count":23,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/pages\/20378\/revisions"}],"predecessor-version":[{"id":21189,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/pages\/20378\/revisions\/21189"}],"wp:attachment":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nEnglish<\/em> | Deutsch<\/a>
\nGruen 215 | Limited Edition Box Set with 10 CDs and book > [order<\/a>]
\nReviews<\/a>
\nngg_shortcode_0_placeholder<\/p>\n
\nWind (gentle)
\nRecord: 8.8.2021, 3:24 PM, M\u00f6nbachtal Eifel, (D).
\nDelete: 8.8.2021, 3:31 PM
\nDuration: 3’17“<\/p>\n
\nDramaturgy and editing: Manfred Hess
\nSound engineers: Tanja Hiesch and Christian Eickhoff
\nProduction: S\u00fcdwestrundfunk 2023<\/a>
\nDesign: U9 visuelle Allianz<\/a>, Offenbach am Main<\/p>\n
\nGermany \/ 2023 \/ Gruen 215 \/ LC 09488
\nBox Set (Book + 10 CDs), 10 Tracks (667:53), run: 20 copies<\/p>\n![\"\"](\"https:\/\/www.gruenrekorder.de\/wp-content\/uploads\/2023\/03\/bkm_250pix-150x150.png\")
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\nIn photography, Roland Barthes writes, \u201cit cannot be denied that the thing existed\u201d. In Austerlitz, W.G. Sebald has his protagonist report that something dissolves exactly where he \u201cmakes the effort to remember“ – \u201cthe darkness does not lift but becomes yet heavier as I think how little we can hold in mind, how everything is constantly lapsing into oblivion with every extinguished life, how the world is, as it were, draining itself, in that the history of countless places and objects which themselves have no power of memory is never heard, never described or passed on\u201d.
\nThe logs of recording and deletion of \u201cseries invisible\u201d testify with very little data \u2013 location, recording, deletion, duration \u2013 that something happened. They are sounds that were recorded and deleted, not images. And yet does the invisible in the series title come full circle toward photography? Concretely, the notes remind us of locations, persons, events, not least of the self-emptying of the world, of life annihilated, oblivion, which, partially and paradigmatically, is snatched from itself, of the process of recording and deleting, of memory itself.<\/p>\n
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\nWith surprise we have to notice that the more we have things the less we actually do have them. \u2018To have them\u2019 meaning to know about them, what and how they are – in relation to other things and to us and what they mean in both respects. What is that knowledge we assemble? Is there anything real beside that knowledge? What does knowledge actually mean? To have it? In terms of information, stored on data-carriers, be it carved in stone, printed in books or lasered on hard disc? Or to experience it as the inescapable flow of sounds, clips, features and messages that make up the movie of everyday? Seems that the more uncertain our reasons for being become the more of that stored or flowing data is needed to accompany us \u2013 kind of an expanding cushion to keep us from getting hold of ourselves.
\nCan there be a return to things? And to us? I don\u2019t think so, because on what corner should we turn? As artists we do, inevitably, develop, enlarge and refine the use of symbols \u2013 therefore we help to blow up that cushion \u2013 both as masters and servants of the respective methods applied. What could a responsible measure to implant a self-reflection of such methods consist of? Maybe it can consist of erasure.<\/p>\n
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\nseries invisible – collection 2 (2013)<\/a><\/p>\n
\nIt is available as a download until March 24, 2024<\/a>.<\/p>\n
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\n\u201cseries invisible\u201d (Gruen 215) ist eine 2004 begonnene Kollaboration von CHRISTOPH KORN (Imperial Hoot, Arbeit, Blank) und LASSE-MARC RIEK (der 2003 Gruenrekorder mitbegr\u00fcndet hatte). Dabei sammelten sie zig Field Recordings, die sie aber in einer wei\u00adteren Drehung wieder l\u00f6schten, um das nur als Notate zu protokollieren – Beispiel: 2 Ort Bahnhof Aufnahme 18.10.2006, 13:05 Uhr, Bad Kleinen Gel\u00f6scht am 21.10.2006, 20:04 Uhr Dauer der Aufnahme 4’40“. Als vollst\u00e4ndiges Box-Set f\u00fcllt das 10 CDs und ein Buch. Hier versammelt auf einer CD plus Booklet ist eine Auswahl von 22 solcher Notate, ab\u00adwechselnd gelesen von einer M\u00e4nner- und einer Frauenstimme: 1 Wiese bei Jossgrund\/ Oberndorf, 3 Waldst\u00fcck, 4 Gesang einer Goldammer, 5 Schlafphase Elli-Mia Riek, 6 Woh\u00adnung von Walter Benjamin, 7 Flugzeug\u00fcberflug Nr. 9, 8 Flugzeug\u00fcberflug Nr. 10, 9 Flug\u00adzeug\u00fcberflug Nr. 14, 10 Klosterzimmer, 11 Privatwohnung, 12 Tel Aviv Museum of Art, in der N\u00e4he des Kunstwerks \u201eSolitude\u201c von Marc Chagall, 13 Privatwohnung, 14 Mohammed-al-Amin-Moschee, 15 Wiese bei Jossgrund\/Oberndorf. Aus einer Buschreihe heraus auf\u00adgenommen, 16 Holzbiene (in der Kirschbl\u00fcte nach Nektar suchend), 17 Rosenk\u00e4fer (auf dem Rhododendron ruhend), 18 Der Ettersberg (in der N\u00e4he des ehemaligen KZs Buchen\u00adwald), 19 Schnee (ganz still), 20 benedicere \u2013 als Lobpreis des Lichts, der V\u00f6gel, der Bu\u00adchen und Birken und Eichen, des Efeus, des Klangs, des Holzes, des Laubs und der Stei\u00adne, des Winds, des Atems, des Lebens, der Kranken, des Gelbs und des Gr\u00fcns, der Idio\u00adten, der Blumen, des Tods, des Teers, des Vaters, der Mutter. 21 Privatwohnung (Fu\u00dfnote: Krieg \u2013 am 28.2.22 ist das der russische \u00dcberfall der Ukraine), 22 Tesla Fabrik. Die Aus\u00adwahl ist schon vielsagend, mit Benjamin und Chagall, Juden und Moslems, KZ und RAF, Idylle und Krieg. Die Stille an sich aber auch: \u00dcber das Vergehen und Vergessen, das postmoderne Sammeln, Archivieren, Musealisieren. 22 mal das ‚4:33‘-Angebot, doch nicht um Erwartung in Wahrnehmung zu verwandeln, sondern als Freiraum f\u00fcr die Vor\u00adstellungskraft, die Erinnerung, f\u00fcr Momente der Besinnung. [BA 122 rbd]
\nlink<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"