![\"Lasse-Marc](\"https:\/\/www.gruenrekorder.de\/Photos\/riek_at_field_by_schultz.jpg\" "\\"Lasse-Marc")
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Lasse-Marc Riek<\/strong><\/p>\n Lasse-Marc Riek (1975, Germany) uses different forms of expression in his producing. His works are interdisciplinary and can be conceived as groups of works of both visual art (action and conceptual art) and sound art. His art of sound can be described in terms such as acoustic ecology, biophony and soundscapes. Here, Riek uses acoustic field recordings, storing them with different recording media, editing, archiving and presenting them in different contexts.<\/p>\n <\/p>\n Since 1997, he has operated internationally with exhibitions, concerts, lectures and projects and given guest performances in galleries, art museums, churches and museums. Contributions in public media as well as in broadcast. Awards, Scholarships and Artist-in-Residence programs realised in Europa and Africa.<\/p>\n <\/p>\n www.lasse-marc-riek.de<\/a> <\/p>\n <\/p>\n CURRENT PROJECTS <\/p>\n PREVIOUS PROJECTS<\/p>\n 2006-2008: 2007: 1999\u20132006: <\/p>\n WORKSHOPS\/COURSES CONDUCTED<\/p>\n 2011: 2010: <\/p>\n SELECTED PUBLICATION <\/p>\n SELECTED EXHIBITIONS <\/p>\n SELECTED DISCOGRAPHY 2008: 2007: 2004:\u00a0 H\u00f6ren, CD, Gruenrekorder, Germany.<\/p>\n <\/p>\n Broadcast:<\/p>\n 2010: 2009: 2009: 2004: <\/p>\n SELECTED PERFORMANCE\/LIVE SHOW 2009: 2008: 2008: 2008: 2004: 2002: 2002: 2001: <\/p>\n AWARD\/PRIZES\/FELLOWSHIP\/GRANTS 2009: 2009: 2008: 2006: 2004: 2003: <\/p>\n POSITIONS<\/p>\n 2009-: 2008-: 2009-2011: <\/p>\n <\/p>\n Gruenrekorder:<\/strong> Rasselland: „Defekt<\/a>“ (Gr 012\/03)<\/p>\n Raw Audio: „Island<\/a>“ (Gr 013\/04) Waldlust: „Nachtruhe<\/a>“ (Gr 015\/05)<\/p>\n V.A.: „Finnish Snow-Walks and Dances<\/a>“ (Gruen 032\/05)<\/p>\n V.A.: „Gruenrekorder AudioArt Compilation 01<\/a>“ (Gruen 001\/04)<\/p>\n V.A.: „Gruenrekorder AudioArt Compilation 03<\/a>“ (Gruen 041\/06)<\/p>\n V.A.: „Gruenrekorder AudioArt Compilation 02<\/a>“ (Gruen 030\/05) V.A.: „A Private Shade of Green<\/a>“ (Gr 047\/07)<\/p>\n V.A.: „Recorded in the Field By…<\/a>“ (Gruen 033\/06)<\/p>\n V.A.: „Rhythm<\/a>“ (Gruen 050\/07)<\/p>\n V.A.: „Autumn Leaves<\/a>“ (GrDl 088\/07) V.A.: „Whatnight #3 DATA<\/a>“ (09)<\/p>\n V.A.: „urban sound stories<\/a>“ Vol. 01-05 (09)<\/p>\n Lasse-Marc Riek: \u201cHabitats<\/a>\u201d (GrD 15\/10)<\/p>\n Lasse-Marc Riek: \u201cHarbour<\/a>\u201d (GrD 18\/11) Lasse-Marc Riek: \u201cHelgoland<\/a>\u201d (Gruen 109\/13) Lasse-Marc Riek Lasse-Marc Riek (1975, Germany) uses different forms of expression in his producing. His works are interdisciplinary and can be conceived as groups of works of both visual art (action and conceptual art) and sound art. His art of sound can be described in terms such as acoustic ecology, biophony and soundscapes. Here, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-21","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/pages\/21","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=21"}],"version-history":[{"count":9,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/pages\/21\/revisions"}],"predecessor-version":[{"id":20398,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/pages\/21\/revisions\/20398"}],"wp:attachment":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=21"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nwww.tonangel.org<\/a>
\nwww.waldlust.org<\/a><\/p>\n
\n
\n2010-:
\n-Sound Archive and Portrait of the region Schaalsee, Germany. With kind support of WWF, Germany.
\n-Sound Archive and Portrait of the island Heligoland, Germany. With kind support of Verein Jordsand, Germany.
\n2003-2011:
\n-Acoustic Ecology: Research the situation of silence and noise in european churches.<\/p>\n
\n-Bioacoustic: Ultrasonic Signals from european Bats.<\/p>\n
\n-Sound Archive and Portrait of the region \u00d6sterbotten, Finland. With kind support of Nelimarkka Museo, Finland.<\/p>\n
\n-Soundscape: Research the sounding situation of european harbours.<\/p>\n
\n-Listen!, St. Johannis Church, Hamburg, Germany.
\n-Urban Green, University, Frankfurt am Main, Germany.
\n-Tonangel(Militzer\/Riek), Heinrich-B\u00f6ll-Stiftung, Bad Bevensen, Germany.<\/p>\n
\n-open ears, Kulturbunker,Cologne, Germany.
\n-Tonangel (Militzer\/Riek), Heinrich-B\u00f6ll-Stiftung, Bad Bevensen, Germany.
\n-Tonangel (Militzer\/Riek), Institut f\u00fcr Neue Medien, Frankfurt am Main, Germany.
\n2009:
\n-Listening, Walking, Growing, Academy of Media Arts, Kiel, Germany.
\n2007:
\n-Phonography! (Franke\/Riek), GFZK, Leipzig, Germany
\n2006:
\n-> rec. (Franke\/Riek), GFZK, Leipzig, Germany<\/p>\n
\n2007:
\n-Series Invisible (Korn\/Riek), Book about Deleted Sound, Selektion and Revolver, Frankfurt am Main, Germany.<\/p>\n
\n2010:
\n-Riparian I and II: sound installation, Hermitage of Paiva, Portugal.
\n2009:
\n-sounds versus visuals: sound installation, Kunstverein Friedberg, Germany.
\n2009:
\n-Listening Room: Ennukapel, sound installation, Tilburg, Netherlands.
\n2007:
\n-Soundmapping: sound installation, Luxembourg, Luxembourg.
\n2008:
\n-Soundscapes: sound\/visual installation, Munich, Germany.
\n2002:
\n-Lichtspuren: installation, Burg Ronneburg, Germany.
\n2001:
\n-Strach Na Wroble: installation, Airport Danzig, Poland.<\/p>\n
\n2011:
\n-Harsh Environments, Tape, banned production, USA.
\n2010:
\n-Taurion concret, CD, kaon, France.
\n2010:
\n-Harbour, CD, Herbal International, Malaysia.
\n2010:
\n-Habitats, CD, 3LEAVES, Hungary.
\n2009:
\n-Das Teilen der Fl\u00fcgel, MP3, and\/OAR, USA.<\/p>\n
\n-Schwarz, CD, TWOLINES, Japan.<\/p>\n
\n-Islands, CD, Open Ear Music, England.<\/p>\n
\n-Kalenderst\u00fccke, Deutschlandradio Kultur, Germany<\/p>\n
\n-Der Baum, Westdeutscher Rundfunk, Germany<\/p>\n
\n-urban sound stories, Kunstradio, ORF, Austria<\/p>\n
\n-Sarajewo, Hessischer Rundfunk, Germany<\/p>\n
\n2010:
\n-St. Fin Barre\u2019s Cathedral, Dublin, Ireland.
\n2010:
\n-Funkhaus\/Deutschlandradio Kultur, Berlin, Germany.<\/p>\n
\n-KLUB MOOZAK, Vienna, Austria.<\/p>\n
\n-Center for Advanced Visualization and Interaction, Aarhus, Denmark<\/p>\n
\n-Tuned City, Berlin, Germany.<\/p>\n
\n-H\u00f6rbar, (Elements Tour), Hamburg, Germany.
\n2007:
\n-St. Bonifaz Church, Mainz, Germany.
\n2007:
\n-Platform Gallery, Vaasa, Finland.
\n2006:
\n-fluctuating images, Stuttgart, Germany.
\n2006:
\n-ALTEFEUERWACHE, Mannheim, Germany.
\n2005:
\n-Kunsthalle, Giessen, Germany.
\n2005:
\n-Gallus Theater, Frankfurt am Main, Germany.<\/p>\n
\n-St. Petri Church, L\u00fcbeck, Germany.<\/p>\n
\n-Thalia Theater, Hamburg, Germany.<\/p>\n
\n-K\u00fcnstlerhaus Mousonturm, Frankfurt am Main, Germany.<\/p>\n
\n-Kampnagel Theater, Hamburg, Germany.<\/p>\n
\n2010:
\n-Binaural Media, Residency, Nodar, Portugal. With kind support of Goethe Institut Lisbon, Portugal.
\n2009:
\n-Qwartz Electronic Music Awards, Prize, Autumn Leaves\/Gruenrekorder, France.<\/p>\n
\n-Premiere im Netz ARD, Nomination, Der Baum\/Compostion, Germany.<\/p>\n
\n-Hoerspiel FH St. P\u00f6lten, Nomination, Der Baum\/Compostion, Austria.<\/p>\n
\n-Phonurgia Nova Award, Prize, Series Invisible\/Book, France.<\/p>\n
\n-Nelimarkka Museo, Residency, Alaj\u00e4rvi, Finland<\/p>\n
\n-Nelimarkka Museo, Residency, Alaj\u00e4rvi, Finland<\/p>\n
\n-Nelimarkka Museo, Residency, Alaj\u00e4rvi, Finland
\n2000:
\n-Tulipamwe, Residency, Namibia, Africa.<\/p>\n
\n-Member of the Wildlife Sound Recording Society, England.<\/p>\n
\n-Member of the Forum Klanglandschaft (World Forum for Acoustic Ecology), Switzerland\/Austria\/Germany.<\/p>\n
\n-Chairman of the Society for the Advancement of Phonography and Experimental Music, Germany.
\n2006-2007:
\nGuest Lecturer
\n-University\/Institutes for Theology Music Studies, Hamburg, Germany.
\n-University of Art\/Studio for Sound-Art, Braunschweig, Germany.
\n-Academy of Visual Arts, Leipzig, Germany.
\n2003-:
\n-Labelmanager of Gruenrekorder (Etzin\/Riek), Label for Phonography and Sound Art, Germany.<\/p>\n
\n
\nLasse-Marc Riek: „Sarajevo<\/a>“ (Gr 003\/04)
\nLasse-Marc Riek: „Dogs From the Snowy Country<\/a>“ (Gr 004\/04)
\nLasse-Marc Riek: „Locating Signal<\/a>“ (Gr 005\/04)
\nLasse-Marc Riek: „Feeding Buzzes of European Bats<\/a>“ (Gr 006\/04)
\nLasse-Marc Riek: „Listen<\/a>“ (Gr 009\/04)
\nLasse-Marc Riek: „Alaj\u00e4rvi’s Voice<\/a>“ (Gr 010\/04)
\nLasse-Marc Riek: „Luminarskuu<\/a>“ (Gr 011\/03)
\nLasse-Marc Riek: „Wahlstedt<\/a>“ (Gr 018\/03)<\/p>\n
\nRaw Audio: „One Story Told<\/a>“ (Gr 026\/04)<\/p>\n
\nV.A.: „Der Michel und der Dom<\/a>“ (Gruen 002\/05)
\nV.A.: „Fluxusfestspiele 2002 Hamburg<\/a>“ (Gr 014\/04)<\/p>\n
\nChristoph Korn & Lasse-Marc Riek: \u201cSeries Invisible \u2013 Collection 1<\/a>\u201d (GrD 05\/07)<\/p>\n
\nChristoph Korn & Lasse-Marc Riek: \u201cSeries Invisible \u2013 Collection 2<\/a>\u201d (Gruen 099\/13)
\nLasse-Marc Riek: \u201cSaison Concr\u00e8te<\/a>\u201d (GrD 26\/13)<\/p>\n
\nThomas M. Siefert<\/a> & Lasse-Marc Riek | rhein_strom:
\n\u201cvon der rheinquelle bis hafen karlsruhe<\/a>\u201d (Gruen 163\/15)
\nChristoph Korn & Lasse-Marc Riek: \u201cseries invisible<\/a>\u201d (Gruen 215\/23)<\/p>\n","protected":false},"excerpt":{"rendered":"