![\"Simon](\"https:\/\/www.gruenrekorder.de\/Photos\/SW_MNG2.jpg\" "\\"Simon")
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Simon Whetham<\/strong> simonwhetham.co.uk<\/a> Gruenrekorder:<\/strong> Simon Whetham Since 2005 Simon Whetham has developed a practice of working with sonic activity, often utilising environmental sound, employing a variety of methods and techniques to obtain unnoticed, obscured sonic phenomena. His artistic investigations have led him to work increasingly in multi-disciplinary projects, especially since focusing on repurposing obsolete technology from 2018. A theme […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-235","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/pages\/235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=235"}],"version-history":[{"count":8,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/pages\/235\/revisions"}],"predecessor-version":[{"id":22372,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/pages\/235\/revisions\/22372"}],"wp:attachment":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nSince 2005 Simon Whetham has developed a practice of working with sonic activity, often utilising environmental sound, employing a variety of methods and techniques to obtain unnoticed, obscured sonic phenomena.
\nHis artistic investigations have led him to work increasingly in multi-disciplinary projects, especially since focusing on repurposing obsolete technology from 2018. A theme has emerged of revaluing what is deemed worthless.
\nHe performs and exhibits internationally, participating in Koganecho Bazaar (JP); Audioblast (FR); Cappadocia Biennal (TK); You and Me Festival (CN); Chiba City Art Triennale (JP); Intermediale (PL); WIP Festival (CY); Sofia Underground (BG); Simultan (RO); WeSA Festival (KR); Sonica (SI); Fresh Winds Biennale (IS); Nakanojo Biennale (JP); Blurred Edges (DE); Tsonami Festival (CL); Moers Festival (DE) and Madeiradig (PT).<\/p>\n
\nsimonwhetham.bandcamp.com<\/a><\/p>\n
\nSimon Whetham: „landlocked<\/a>“ (Gr 056\/08)
\nV.A.: „urban sound stories<\/a>“ Vol. 01-05 (09)
\nRebecca Joy Sharp & Simon Whetham: \u201cThe Clearing<\/a>\u201d (Gr 077\/10)
\nSimon Whetham: \u201cOrganic Volatilisation Near Imperceivable<\/a>\u201d (Gruen 220\/23)
\nSimon Whetham & Gregory B\u00fcttner<\/a>: \u201eA sounding walk through a situation that\u2019s already finished and a place that no longer exists<\/a>\u201c (GrDl 232\/26)<\/p>\n","protected":false},"excerpt":{"rendered":"