![\"Freefall](\"https:\/\/www.gruenrekorder.de\/Photos\/gr73.jpg\" "\\"Freefall")
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Freefall | Strongly Imploded<\/a><\/strong><\/p>\n Gr 073 | Gruen CD-R | Silver<\/a> > [Sold Out<\/span>] Reviews <\/a><\/p>\n <\/p>\n <\/p>\n Domenico: Did you like the drawing? <\/p>\n 1. Inconspicuous insects and bawdy secrets MP3<\/a> MP3<\/a> MP3<\/a><\/p>\n <\/p>\n 8 Tracks (41\u203212″) <\/p>\n <\/p>\n Sound Art Series by Gruenrekorder<\/p>\n Gruenrekorder \/ Germany \/ 2010 \/ Gr 073 \/ LC 09488<\/p>\n <\/p>\n <\/p>\n <\/a>Reviews<\/strong><\/p>\n <\/p>\n Massimiliano Busti | BLOW UP.<\/a><\/strong><\/p>\n Del tutto diverso \u00e8 invece l\u2019ambito in cui opera il quartetto campano Strongly Imploded, votato ad un\u2019improvvisazione elettroacustica aggressiva e veemente che \u00e8 parente stretta dei vari progetti paralleli\u00a0 di alcuni membri del gruppo (A Spirale, Aspec(t), etc\u2026). Il loro album si intitola in modo appropriato \u201cFreefall\u201d perch\u00e9 tutto in esso sembra essere in caduta libera, dai fiati che assumono un tono metallico e impersonale all\u2019elettronica free form, dalla batteria che rincorre gli spasmi del suono alla chitarra che precipita in un gorgo di distorsioni. Ricordano i Supersilent dei primi due album per la capacit\u00e0 di comprimere il suono sino alle sue estreme possibilit\u00e0, e grazie ad un estremo controllo sugli strumenti riescono a dar vita ad una serie di brani tutti egualmente caratterizzati da un\u2019energia implosiva carica di tensione.<\/p>\n <\/p>\n Brian Olewnick | Just outside<\/a><\/strong><\/p>\n Yet another Italian trio, this time from Naples, with F. Gregoretti (drums), M. Gabola (reeds) and M. Argenziano (guitar, synth, electronics). After the claustrophobic feeling of Petrolio, the kind of scrabbling, old-timey (that is, reaching as far back as the 70s) approach heard herein feels open and, well, fun. Not that this sounds like a Bailey\/Parker\/Bennink trio–there’s much more bottom, more oblique nods to metal and other rockish forms (perhaps even Last Exit)–but even at its darkest, there’s a sense of the wide open. A severe grinding aspect is also often in play, the sounds seeming to be wrenched from the players‘ guts. If Caspar Brotzmann had a brother who hewed a bit more closely to his dad’s ethos, he might be involved in a trio like this. Not my cuppa so much, but they do what they choose to do pretty well.<\/p>\n link<\/a><\/p>\n <\/p>\n Mike Wood | foxy digitalis<\/a><\/strong><\/p>\n Freefall is a four-piece from Italy specializing in improvised noise and free jazz. They use guitar, reeds and drums along with synth and electronic manipulations gives the eight tracks on \u201cStrongly Imploded\u201d a bite and occasional groove often missing from such outings.<\/p>\n With a slow buildup to a jazzy noise mash, using each in ways at once familiar and odd, \u201cInconspicuous insects and bawdy secrets\u201d opens the set with a flourish. On \u201cAn improvised freefalling deconstruction over time,\u201d there is furtive noise throughout, jerking to a halt unexpectedly, careening squealing guitar feedback, sarcastically lazy western harmonica riff in the background. \u201cPlowing through the forest\u201d features a disturbing, digestive groove, the sound of a saxophone choking on its own reed, or eating itself alive. Shamefully limited to only 50 copies and coming in a bulky tin cigarette case, \u201cStrongly Imploded\u201d will probably be more read about than heard. But Freefall deserves to be heard. Their chaos is fun and ferocious, and even with the occasional clunkers, they make daring and roaring music that is quite out and adventurous.<\/p>\n link<\/a><\/p>\n <\/p>\n
\nMP3 & FLAC > [order<\/a>]<\/p>\n![\"\"](\"https:\/\/www.gruenrekorder.de\/Photos\/gr73_innen.jpg\")
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\nFran: It was good. But a bit disorganised..
\nDomenico: Disorganised? You create that music and you tell me my drawings are disorganised!?
\nDomenico falls over laughing hysterically…and laughs hysterically for 10 mins
\nFran: What are you laughing at?
\nDomenico: Nothing.. nothing.. (dying of laughter and rolling around on the floor).<\/p>\n
\n2. Night voice with robotic interference and agitation
\n3. An improvised freefalling deconstruction over time<\/p>\n
\n4. Plowing through the forest<\/p>\n
\n5. Felicitous freefall
\n6. Hesitant ham (words of the street)
\n7. Triumphant march without tattoo or direction
\n8. Illusionary antics with spiralling cyborgs<\/p>\n
\nCD-R (50 copies)<\/p>\n![\"Artwork:](\"https:\/\/www.gruenrekorder.de\/Photos\/freefall.jpg\" "\\"Artwork:")
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\nSongs like \u201cHesitant ham\u201d or \u201cTriumphant march without tattoo or direction\u201d are more generic free jazz freakout: blaring and distorted horns that sound almost conservative in their keeping to recognizable Free tropes. The closer, though, \u201cIllusionary antics with spiraling cyborgs,\u201d is brilliant, a frantic tribal noise intro, that slowly dissolves into a sustained low hum, and an industrial fadeout to a piece that began like ritual music for cannibals.<\/p>\n