![\"Roland](\"https:\/\/www.gruenrekorder.de\/Photos\/r_e_320px_.jpeg\" "\\"Roland")
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Roland Etzin<\/strong> <\/p>\n Gruenrekorder:<\/strong><\/p>\n Rasselland: „Defekt<\/a>“ (Gr 012\/03)<\/p>\n Roland Etzin: „Image Data<\/a>“ (Gr 023\/04)<\/p>\n Roland Etzin: „Scotland Field Recordings 04<\/a>“ (Gr 027\/04)<\/p>\n Roland Etzin: „Estrecho De Gibraltar<\/a>“ (Gr 038\/06)<\/p>\n Roland Etzin: „Indicator<\/a>“ (Gr 042\/07)<\/p>\n V.A.: „Gruenrekorder AudioArt Compilation 01<\/a>“ (Gruen 001\/04)<\/p>\n V.A.: „Gruenrekorder AudioArt Compilation 03<\/a>“ (Gruen 041\/06)<\/p>\n V.A.: „Gruenrekorder AudioArt Compilation 02<\/a>“ (Gruen 030\/05)<\/p>\n V.A.: „Der Michel und der Dom<\/a>“ (Gruen 002\/05)<\/p>\n V.A.: „A Private Shade of Green<\/a>“ (Gr 047\/07)<\/p>\n V.A.: „Recorded in the Field By…<\/a>“ (Gruen 033\/06)<\/p>\n V.A.: „Rhythm<\/a>“ (Gruen 050\/07)<\/p>\n V.A.: „Autumn Leaves<\/a>“ (GrDl 088\/07)<\/p>\n Autumn Appreciation Society<\/a>: „Old Gutnish<\/a>“ (Radio X\/08)<\/p>\n V.A.: „Whatnight #3 DATA<\/a>“ (09)<\/p>\n V.A.: „urban sound stories<\/a>“ Vol. 01-05 (09)<\/p>\n V.A.: „SONIC VIGIL 4<\/a>“ (GrD 13\/09)<\/p>\n V.A.: \u201cSomewhere on the Edge<\/a>\u201d (GrDl 100\/12)<\/p>\n Roland Etzin: „TransMongolian<\/a>“ (Gruen 103\/12)<\/p>\n
\nworks in the genres of field recordings and audio art. He is co-founder of the recordlabel Gruenrekorder<\/a> and the Society for the Advancement of Phonography and Experimental Music<\/a>. For three months, Roland was Artist in Residence in the Guesthouse<\/a> in Cork City \/ Ireland. „urban sound stories – Vol. 01-05“ was broadcasted on ORF<\/a> \/ Austria and „TransMongolian<\/a>“ – „Aufbruch<\/a>“ – „Hard Bit Rock<\/a>“ – „Dinks und Donks vom Roten Planeten<\/a>“ on Deutschlandradio \/ Germany. The Audio Track „Portrait 6 (Japan)“ and „Wasser“ was on „The Wire Tapper 29<\/a>“ and the „The Wire Tapper 43<\/a>“ CD. Together with Stefan Militzer he released „O\/live<\/a>“ at Galaverna and under the moniker Telepapi<\/a> – „AloHa\u200b-\u200bHo<\/a>“ (with szmt) at Acrylnimbus. „Augsburg 2019<\/a>“ was released @ attenuation circuit. The Audio Piece „Schwarzes Loch“ that deals conceptually with space was presented and moderated 2022 during the event „Beautiful listening – Cinema for the Ears<\/a>“ (art.ist reloaded). The recording „Palm Sunday“ is included at the exhibition „Sound Sources. Everything is Music!<\/a>“ @ the Weltkulturen Museum (Frankfurt am Main). „Good to have you back<\/a>“ was broadcasted on Deutschlandradio \/ Germany in July 2024.<\/p>\n