<\/p>\n
<\/p>\n Merzouga<\/a>: \u201cMekong Morning Glory<\/a>\u201d (Gruen 092\/11) <\/p>\n <\/p>\n Review | By Guillermo Escudero \/ LOOP<\/a><\/strong><\/p>\n Pacho Apostolo<\/a> | Wallmapu<\/a><\/p>\n In the South of Chile and Argentine Mapuche natives live since ancient times and this recording registers the natural environment where they live. Also is captured the ceremonies they do and their music made with handmade instruments like the, trutruka, kull kull and the drumbeat of the kultrun. <\/p>\n <\/p>\n Review | By Guillermo Escudero \/ LOOP<\/a><\/strong><\/p>\n Terje Paulsen<\/a> & \u00c1kos Garai<\/a> | Vertikale Skift<\/a><\/p>\n This is a new collaboration between sound artists Terje Paulsen (Norway) and \u00c1kos Garai (Hungary) and this isn\u2019t a pure field recording release in this series. <\/p>\n <\/p>\n Nord Rute<\/strong><\/a> <\/p>\n <\/p>\n NATURE: The Water Boatman\u2019s Song<\/strong> Tom Lawrence<\/a> | Water Beetles of Pollardstown Fen<\/a><\/p>\n Writer Paul Evans accompanies sound recordist Tom Lawrence on a journey in sound across Pollardstown Fen to hear the extraordinary sounds of an underwater orchestra of aquatic insects. Additional sound recordings: Chris Watson, Producer Sarah Blunt<\/p>\n <\/p>\n <\/p>\n Richard Allen | The Silent Ballet \/ The 25 Best Winter Albums<\/a><\/strong><\/p>\n Andrea Polli<\/a> | Sonic Antarctica<\/a> <\/p>\n <\/p>\n hungbunny<\/a> | Podcast 227<\/strong><\/p>\n Ernst Karel<\/a> | Swiss Mountain Transport Systems<\/a><\/p>\n Listen to \u2018hungbunny – Podcast 227\u2018<\/a><\/p>\n <\/p>\n <\/p>\n Feature on National Public Radio<\/a> | All Songs Considered<\/strong><\/p>\n Ernst Karel<\/a> | Swiss Mountain Transport Systems<\/a><\/p>\n Listen to \u2018All Songs Considered\u2018<\/a><\/p>\n <\/p>\n <\/p>\n Review | By Lars Gotrich \/ All Songs Considered – The Best Outer Sound Albums Of 2011<\/a><\/strong> How can you distinguish the quality of one untreated field recording against another? The equipment might be better or the sequence could be cohere into an abstract narrative (see Annea Lockwood’s excellent A Sound Map of the Danube), but it all comes down to sound. And Ernst Karel has found incredible vibrations on these Swiss gondolas. Maybe it helps that I myself experienced these naturally droning and just plain-cool sounding machines when I was 16 \u2014 those clicks, whirs and distant moos from grazing cows have stuck with me for over a decade. […<\/a>]<\/p>\n <\/p>\n <\/p>\n Review | By Brian Olewnick \/ Just outside<\/a><\/strong> As far as untreated field recordings go–now yer talkin‘. It obviously helps if your ear is attuned to especially wonderful groups of sounds as Karel’s was during some hiking expeditions in Switzerland that involved the usage of various modes of transportation–gondolas, funiculars, etc.–that have as one of their salient qualities the generation of rich and spectacular sonics. He recorded them extensively and extracted the nine pieces presented here without any manipulation. What can one say? […<\/a>]<\/p>\n <\/p>\n <\/p>\n Review | By maeror3 \/ livejournal<\/a><\/strong> \u0413\u043e\u0440\u043d\u044b\u0439 \u0442\u0440\u0430\u043d\u0441\u043f\u043e\u0440\u0442 \u0428\u0432\u0435\u0439\u0446\u0430\u0440\u0438\u0438 \u2013 \u0441\u043b\u0430\u0436\u0435\u043d\u043d\u043e \u0440\u0430\u0431\u043e\u0442\u0430\u044e\u0449\u0430\u044f \u0441\u0438\u0441\u0442\u0435\u043c\u0430, \u043e\u0431\u0435\u0441\u043f\u0435\u0447\u0438\u0432\u0430\u044e\u0449\u0430\u044f \u0434\u043e\u0441\u0442\u0443\u043f \u043f\u0440\u0430\u043a\u0442\u0438\u0447\u0435\u0441\u043a\u0438 \u0432 \u043b\u044e\u0431\u0443\u044e \u0433\u043e\u0440\u043d\u0443\u044e \u0447\u0430\u0441\u0442\u044c \u0441\u0442\u0440\u0430\u043d\u044b \u0432 \u0441\u043b\u0443\u0447\u0430\u0435 \u043a\u0430\u043a \u0436\u0438\u0437\u043d\u0435\u043d\u043d\u043e\u0439, \u0442\u0430\u043a \u0438 \u0442\u0443\u0440\u0438\u0441\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u043d\u0435\u043e\u0431\u0445\u043e\u0434\u0438\u043c\u043e\u0441\u0442\u0438. \u041a\u0430\u043d\u0430\u0442\u043d\u044b\u0435 \u0434\u043e\u0440\u043e\u0433\u0438, \u0433\u043e\u0440\u043d\u044b\u0435 \u043f\u043e\u0435\u0437\u0434\u0430, \u043f\u043e\u0434\u044a\u0435\u043c\u043d\u044b\u0435 \u043a\u0440\u0435\u0441\u043b\u0430, \u0440\u0430\u0441\u0441\u0447\u0438\u0442\u0430\u043d\u043d\u044b\u0435 \u043d\u0430 \u043d\u0435\u0441\u043a\u043e\u043b\u044c\u043a\u0438\u0445 \u043f\u0430\u0441\u0441\u0430\u0436\u0438\u0440\u043e\u0432, \u0444\u0443\u043d\u0438\u043a\u0443\u043b\u0435\u0440\u044b \u0438 \u0433\u043e\u043d\u0434\u043e\u043b\u044b \u2013 \u044d\u0442\u0438 \u0438 \u0434\u0440\u0443\u0433\u0438\u0435 \u0442\u0435\u0445\u043d\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u043f\u0440\u0438\u0441\u043f\u043e\u0441\u043e\u0431\u043b\u0435\u043d\u0438\u044f \u043f\u0435\u0440\u0435\u043a\u0440\u043e\u0438\u043b\u0438 \u043b\u0430\u043d\u0434\u0448\u0430\u0444\u0442 \u043a\u0438\u043b\u043e\u043c\u0435\u0442\u0440\u0430\u043c\u0438 \u0440\u0435\u043b\u044c\u0441\u043e\u0432, \u0434\u043e\u0440\u043e\u0433, \u043f\u0440\u043e\u0432\u043e\u0434\u043e\u0432. […<\/a>]<\/p>\n <\/p>\n <\/p>\n Review | By Annette Eckerle \/ Neue Zeitschrift f\u00fcr Musik<\/a><\/strong><\/p>\n Bettina Wenzel<\/a> | Mumbai Diary<\/a><\/p>\n Bettina Wenzel ist Stimmk\u00fcnstlerin und Komponistin. Das Material der Komponistin ist das Material der Stimmk\u00fcnstlerin und umgekehrt. Ihre Ausbildung hat Bettina Wenzel von 1992 bis 2001 am Centre Artistique Roy Hart in Frankreich absolviert, nach der Methode des Stimmspezialisten Alfred Wolfsohn und dessen Sch\u00fcler Roy Hart. Die Idee Wolfsohns von der totalen Entgrenzung der Stimme, womit in erster Linie ein Tonumfang gemeint ist, der jenseits der \u00fcblicherweise akzeptierten geschlechtsspezifischen Auspr\u00e4gung liegt, benutzt Wenzel in ihrem Sinne f\u00fcr intermediale Performances, f\u00fcr Stimmen-St\u00fccke, die inspiriert sind von den bewegten Bildern des Alltags, vom Sound einer Stadt, vom Klang einer Sprache. […<\/a>]<\/p>\n <\/p>\n <\/p>\n Review | By MusikTexte \u2013 Magazine<\/a><\/strong> <\/p>\n <\/p>\n <\/p>\n New Release:<\/strong> <\/p>\n <\/p>\n Terje Paulsen<\/a> & \u00c1kos Garai<\/a>: \u201cVertikale Skift<\/a>\u201d (GrDl 093\/11) <\/p>\n <\/p>\n Secret Thirteen<\/a> Mix 004 | Jeremy Bible<\/strong> <\/p>\n <\/p>\n Review | By rm \/ Gonzo (circus) #106<\/a><\/strong> Tom Lawrence<\/a> | Water Beetles of Pollardstown Fen<\/a><\/p>\n <\/p>\n <\/p>\n <\/p>\n Review | By rm \/ Gonzo (circus) #106 Eisuke Yanagisawa<\/a> | Ultrasonic Scapes<\/a><\/p>\n <\/p>\n <\/p>\n <\/p>\n Gonzo (circus) #106 | Mind The Gap #93<\/a><\/strong> <\/p>\n <\/p>\n Review | By Anti-Gravity Bunny<\/a><\/strong><\/p>\n Ernst Karel<\/a> | Swiss Mountain Transport Systems<\/a><\/p>\n Absolutely one of a kind. Karel has made field recordings of gondolas, chairlifts, funiculars, and various aerial cable cars in Switzerland, without any self righteous tweaking or altering. These sounds are coming straight from the cars. Mostly a calm, serene, and hushed album, with lots of motorik rhythms and mechanical percussion breaking through. […<\/a>]<\/p>\n <\/p>\n <\/p>\n Helen Mirra | gehend (Field Recordings 1\u20133)<\/strong> <\/p>\n Supplementary events <\/p>\n KW Institute for Contemporary Art <\/p>\n <\/p>\n Review | By Bobby Power \/ foxy digitalis<\/a><\/strong> St\u00e9phane Garin & Sylvestre Gobart\u2019s collaborative compilation of field recordings is a harrowing experience.\u00a0 Described as a collection of \u201crecent pictures and sound recordings realised on the grounds of confinement, deportation and extermination of the Second World War, in France and in Poland,\u201d the finished product is a work provocation and meditation.\u00a0 […<\/a>]<\/p>\n <\/p>\n <\/p>\n Review | By Richard Allen \/ The Silent Ballet<\/a><\/strong> […<\/a>] The attentive listener begins to anticipate these cacaphonous passages like choruses, regarding the quieter, avian interludes like verses.\u00a0 The piece is somewhat diluted by late repetition \u2013 a third downpour would have been more effective if attached to its brethren \u2013 but the recording as a whole is a success due to its crispness and its intentional distancing from placidity.<\/p>\n <\/p>\n <\/p>\n Reviews | By Sean Cooper \/ Noise From the Field<\/a><\/strong> Tom Lawrence<\/a> | Water Beetles of Pollardstown Fen<\/a><\/p>\n <\/p>\n <\/p>\n Review | By DLF \/ Hollow Press<\/a><\/strong><\/p>\n Ernst Karel<\/a> | Swiss Mountain Transport Systems<\/a><\/p>\n […<\/a>] As with all important and truly successful art, \u201cSwiss Mountain Transport System\u201d can radically alter the way one perceives the world. <\/p>\n <\/p>\n Review | By J\u00e9r\u00f4me Proven\u00e7al \/ MOUVEMENT<\/a><\/strong><\/p>\n St\u00e9phane Garin<\/a> & Sylvestre Gobart<\/a> | Gurs. Drancy. Gare de Bobigny. Auschwitz. Birkenau. Chelmo-Kulmhof. Majdaneck. Sobibor. Treblinka<\/a><\/p>\n La m\u00e9moire neuve <\/p>\n <\/p>\n Phonophon<\/a> | 16.11.2011 | 20:00-23:00 | 5 Euro<\/strong> <\/p>\n <\/p>\n * Nocturnal Emissions (UK)<\/p>\n www.earthlydelights.co.uk<\/a><\/p>\n <\/p>\n * DJ Zipo (D)<\/p>\n www.aufabwegen.de<\/a><\/p>\n <\/p>\n Society for the Advancement of Phonography and Experimental Music (e.V.) <\/p>\n <\/p>\n <\/p>\n Review | By Abi Bliss \/ The Wire \u2013 Issue: #333<\/a><\/strong><\/p>\n Ernst Karel<\/a> | Swiss Mountain Transport Systems<\/a><\/p>\n Swiss Mountain Transport Systems is framed as a \u2018sonic investigation\u2019 into the many chairlifts, gondolas, funiculars and cable cars that navigate the country\u2019s landscape, but it would be naive to suppose that Ernst Karel \u2013 once an active improvisor in Chicago; now a manager of the Sensory Ethnography Lab at Harvard \u2013 is a dispassionate about where he points his cardioid mics. […<\/a>]<\/p>\n <\/p>\n <\/p>\n Ernst Karel @ The Wire | MP3 Specials<\/a><\/strong> Listen to Ernst Karel recordings<\/a><\/p>\n <\/p>\n <\/p>\n Review | By Aurelio Cianciotta \/ Neural<\/a><\/strong><\/p>\n Eisuke Yanagisawa<\/a> | Ultrasonic Scapes<\/a><\/p>\n Eisuke Yanagisawa, an audio-artist interested in field recordings and researching ethnographic matrices (the latter also explored through interesting cinematic experiments), has been studying the linguistic and cultural characteristics of rural Vietnamese since 2006. The results of these studies have helped create an ethnographic movie about gong culture and three experimental films about specific acoustic environments in Kyoto. […<\/a>]<\/p>\n <\/p>\n <\/p>\n Gruenrekorder @ textura | TEN FAVOURITE LABELS 2011<\/a><\/strong> <\/p>\n <\/p>\n Reviews | By Ron Schepper \/ textura<\/a><\/strong> Issued in a 50-copy run as part of Gruenrekorder\u2019s Field Recording Series, Eisuke Yanagisawa\u2019s Ultrasonic Scapes makes a strong argument for the accessibility of the field recordings-based recording. It does so by doing two things in particular: drawing upon diverse subject matter in its ten tracks and by presenting its contents with concision, as the CD squeezes its material into a lean thirty-five-minute running time. […<\/a>]<\/p>\n <\/p>\n Tom Lawrence<\/a> | Water Beetles of Pollardstown Fen<\/a><\/p>\n […<\/a>] Water Beetles of Pollardstown Fen opens with a time-lapse setting called \u201cPoint of Gibraltar\u201d that Lawrence edited down from twenty-fours to the six-minute setting heard on the recording in order to reveal to the listener the subterranean world existing below the fen. Using computer software, he was able to capture sounds below the range of human hearing. The mating calls of Water Beetles and the clicking of the Great Diving Beetle are just two of the sounds that appear amidst the teeming sonic activity documented by Lawrence. […<\/a>]<\/p>\n <\/p>\n <\/p>\n The Out Door | Turning the World Into Art<\/a><\/strong> <\/p>\n <\/p>\n Tom Lawrence<\/strong><\/p>\n Tom Lawrence<\/a> died unexpectedly on Wednesday 19th October 2011. Tom Lawrence’s website<\/a><\/p>\n <\/p>\n <\/p>\n ELEKTRIA | Das Klangfestival<\/strong> www.elektria.org<\/a><\/p>\n <\/p>\n ELEKTRIA (pdf)<\/a><\/p>\n <\/p>\n <\/p>\n <\/p>\n Ernst Karel<\/a> | Swiss Mountain Transport Systems<\/a><\/strong><\/p>\n Comments @ http:\/\/typerecords.com<\/a><\/p>\n <\/p>\n <\/p>\n Review | By Chris Whitehead \/ The Field Reporter<\/a><\/strong><\/p>\n Tom Lawrence<\/a> | Water Beetles of Pollardstown Fen<\/a> <\/p>\n <\/p>\n Sonic Vigil 6<\/strong><\/p>\n 22 OCT 2011 2:00PM – 9:00PM<\/p>\n TRISKEL CHRISTCHURCH \/ \u20ac5.00 at the door<\/p>\n <\/p>\n Sonic Vigil is Ireland\u2019s premier sound art\/ improvisation event and this year it takes place on 22nd Oct in Christchurch Triskel Cork. The event is curated by The Quiet Club and Gurenrekorder (Germany) and this is the sixth running of the event. Whilst the event has become synonymous with St Fin Barr\u2019s Cathedral the organisers continue their policy of pushing the boundaries of sound and listening have changed the venue to explore the sonic possibilities of Triskel\u2019s new Christchurch space.<\/p>\n This space has been hailed as one of the best acoustic spaces in the country and Sonic Vigil has been programmed to exploit this to the full.<\/p>\n A special feature of this year\u2019s event will be video and live projections by video artist Claire Guerin. The event which is scheduled to run for over seven hours and the audience are invited to come and go as they please.<\/p>\n A highlight of the event will be the launch of a recording and film of last year\u2019s event. This will be in the unique format of a USB key in the shape of a cassette tape containing both the audio and film of last year\u2019s spectacular event.<\/p>\n <\/p>\n Sonic Vigil 6 catalogue (pdf)<\/a><\/p>\n <\/p>\n <\/p>\n <\/p>\n Coming out very soon:<\/strong><\/p>\n <\/p>\n <\/p>\n <\/p>\n New Release:<\/strong> <\/p>\n <\/p>\n Pacho Apostolo<\/a>: \u201cWallmapu<\/a>\u201d (GrDl 096\/11) <\/p>\n <\/p>\n Opening of the installation | Air Pressure<\/strong><\/p>\n Whitworth Art Gallery \/ 4 November \/ 6 \u2013 8pm<\/p>\n Exhibition continues until 15 January 2012 www.whitworth.manchester.ac.uk<\/a><\/p>\n Artbook\/CD out on Gruenrekorder in January 2012<\/p>\n <\/p>\n <\/p>\n The Wire’s November Office Ambience<\/a> | Issue #333 (Nov 11)<\/a><\/strong> Compiled by The Wire Sound System.<\/p>\n Listen to a selection of tracks from The Wire’s November Office Ambience<\/a><\/p>\n <\/p>\n <\/p>\n Gruenrekorder @ VERORTUNGEN \/ ENTORTUNGEN: URBANE KLANGR\u00c4UME<\/strong> www.d21-leipzig.de<\/a><\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n Review | By Guillermo Escudero \/ LOOP<\/a><\/strong> Since the mid nineteen\u2019s Ernst Karel has been active releasing both solo albums and collaborative projects. He works with analog electronics and with location recordings. The sounds on \u201cSwiss Mountain Transport Systems\u201d consist of recordings taken in different locations of Switzerland during the summer and fall of 2008 plus electronic processing. […<\/a>]<\/p>\n <\/p>\n <\/p>\n Phonophon<\/a> | 24.10.2011 | 20:00-23:00 | 5 Euro<\/strong> <\/p>\n![\"\"](\"https:\/\/www.gruenrekorder.de\/shop\/img\/covers\/Gruen_092.jpg\" "\\"Merzouga:")
<\/a><\/p>\n
\nSoundscapes
\n1 Track (49\u203202\u2033)
\nCD (500 copies)<\/p>\n
\n
\nHistory it is recreated by the sounds of the conquerors snippets of a Spanish guitar, Medieval music, the first notes of the National Chilean anthem, the noise of the saws cutting the ancient trees, declarations of Mapuche human rights, among others. […<\/a>]<\/p>\n
\n
\nThey combine found sounds and the electronic processing offering a wide range of sounds, radio airwaves, sharp edge elements, post-Industrial hum and drones producing dark soundscapes. […<\/a>]<\/p>\n
\n
\nField Recordings & Sound Design: Ross Adams
\nDeutschlandradio Kultur | 23.12.2011 | 00:05<\/p>\n
\n
\nBBC Radio 4, Tue 10 Jan 11.02, rpt Thur 12 Jan 21.02<\/p>\n
\n
\nSonic Antarctica is an album that sounds like a soundtrack and unfurls like a film. It’s a combination of tones, field recordings and interviews with the weather station personnel of the South Pole. We begin with a helicopter ride and slowly descend into a world of glaciers and sub-zero readings. By the end, we’ve not only been entertained, but enlightened.<\/p>\n
\n
\n
\n
\nErnst Karel<\/a> | Swiss Mountain Transport Systems<\/a><\/p>\n
\n
\nErnst Karel<\/a> | Swiss Mountain Transport Systems<\/a><\/p>\n
\n
\nErnst Karel<\/a> | Swiss Mountain Transport Systems<\/a><\/p>\n
\n
\n
\nBettina Wenzel<\/a> | Mumbai Diary<\/a><\/p>\n![\"Mumbai](\"https:\/\/www.gruenrekorder.de\/Photos\/wandelbare-stimme.jpg\" "\\"Mumbai")
<\/a><\/p>\n
\n
\nExclusive download edition<\/p>\n![\"Terje](\"https:\/\/www.gruenrekorder.de\/shop\/img\/covers\/Gruen_093.jpg\" "\\"Terje")
<\/a><\/p>\n
\nField Recordings
\n9 Tracks (55\u203234\u2033)
\nGruen Digital<\/a><\/p>\n
\n
\nErnst Karel<\/a> | Swiss Mountain Transport Systems<\/a>
\nListen to \u2018Secret Thirteen Mix 004 \u2013 Jeremy Bible\u2018<\/a><\/p>\n
\n
\n<\/strong><\/p>\n![\"Water](\"https:\/\/www.gruenrekorder.de\/Photos\/tomlawrence.png\" "\\"Water")
<\/a><\/p>\n
\n
\n<\/a><\/strong><\/p>\n![\"Ultrasonic](\"https:\/\/www.gruenrekorder.de\/Photos\/eisukeyanagisawa.png\" "\\"Ultrasonic")
<\/a><\/p>\n
\n
\nTom Lawrence<\/a> | Water Beetles of Pollardstown Fen<\/a><\/p>\n
\n
\n
\nOpening: Saturday, November 26, 2011, 5 \u2013 10 pm
\nNovember 27, 2011 \u2013 January 29, 2012<\/p>\n
\nNovember 26 + 27, 2011:
\nHelen Mirra \/ Ernst Karel: Swiss Mountain Transport Systems: multi-channel version
\nNovember 27, 2011, 5 pm:
\nHelen Mirra \/ Ernst Karel: Location Recordings<\/p>\n
\nAuguststr. 69
\nD-10117 Berlin
\nwww.kw-berlin.de<\/a><\/p>\n
\n
\nSt\u00e9phane Garin<\/a> & Sylvestre Gobart<\/a> | Gurs. Drancy. Gare de Bobigny. Auschwitz. Birkenau. Chelmo-Kulmhof. Majdaneck. Sobibor. Treblinka<\/a><\/p>\n
\n
\nC\u00e9dric Peyronnet<\/a> | kdi dctb 146 [e]<\/a><\/p>\n
\n
\nBarking tree frogs, exploding dragonflies, crackling Arctic fjords\u2014the Top 10 wildest field recordings.<\/p>\n
\n
\nBe warned: this album requires a good deal of patience. Many will find it boring but for those really willing to sit with it, its rewards continue to unfold listen after listen. It\u2019s refreshingly direct \u2013 a rarity in our world of ultra-processed music \u2013 and restrained, elegant and as simple as can be. At the same time, it\u2019s deeper and more nuanced than pretty much anything I\u2019ve heard in a long while. A completely essential listen, one I cannot recommend highly enough.<\/p>\n
\n
\nParvenir \u00e0 ne rien brusquer ni contraindre. Savoir reconna\u00eetre l\u2019instant juste. Refuser de transiger. Accepter de n\u2019\u00eatre qu\u2019un op\u00e9rateur \u2013 mais d\u2019une extr\u00eame rigueur. Garder en t\u00eate que \u00ab rien n\u2019a eu lieu que le lieu \u00bb. Ne surtout pas chercher \u00e0 faire dire \u2013 ce qui revient presque toujours \u00e0 faire taire. Laisser au contraire affleurer simplement, avec la conscience aigu\u00eb des efforts immenses que r\u00e9clame ce \u00ab simplement \u00bb, la silencieuse parole du monde. […<\/a>]<\/p>\n
\n
\nInstitut f\u00fcr neue Medien<\/a> (INM)
\nSchmickstra\u00dfe 18
\n60314 Frankfurt am Main
\nGermany<\/p>\n![\"Phonophon](\"https:\/\/www.gruenrekorder.de\/Photos\/nocturnal-emissions.jpg\" "\\"Phonophon")
<\/a><\/p>\n
\nwww.phonographie.org<\/a>
\nwww.inm.de<\/a>
\nwww.produck.tk<\/a>
\nwww.gruenrekorder.de<\/a><\/p>\n
\n![\"\"](\"https:\/\/www.thewire.co.uk\/images\/artists\/dj_rupture\/cover333-wTapper-1000px.jpg\" "\\"The")
<\/a><\/p>\n
\n
\nMusic, much of it exclusive to The Wire, selected to accompany magazine features, interviews and Wire related events.<\/p>\n
\n
\n
\nEvery November since 2005, we’ve honoured ten distinguished labels that have brought us countless hours of joy and enlightenment during the year, and this year’s selections are, as usual, an eclectic bunch.<\/p>\n
\n
\nEisuke Yanagisawa<\/a> | Ultrasonic Scapes<\/a><\/p>\n
\n
\nThe wide world of field recordings with legendary ethnomusicologist Art Rosenbaum, location recordist Ernst Karel, and sound-scapist and Cabaret Voltaire co-founder Chris Watson. By Marc Masters and Grayson Currin.<\/p>\n
\n
\nWe are deeply affected and very sad. He was a wonderful person to work with.
\nOur thoughts are with his family and all those who were close to him.<\/p>\n
\n
\n15.-20. NOV 2011
\nSt. Johannis-Harvestehude<\/p>\n![\"ELEKTRIA](\"https:\/\/www.gruenrekorder.de\/Photos\/elektria_flyer.jpg\" "\\"ELEKTRIA")
<\/a><\/p>\n
\n
\n
\nStridulate: (Of an insect) to make a shrill sound by rubbing wings, legs or other body parts together.
\nAs any sound recordist knows, dropping a hydrophone into a body of water crosses a threshold. A barrier is broken between our world and an alien realm that exists alongside it. Bubbles rising from underwater plants become radar blips. Unfathomable clicks and pulses emanate from the unseen inhabitants of a veiled world. […<\/a>]<\/p>\n
\n![\"Sonic](\"https:\/\/www.gruenrekorder.de\/Photos\/sonic_vigil-6.jpg\" "\\"Sonic")
<\/a><\/p>\n
\n![\"Coming](\"https:\/\/www.gruenrekorder.de\/Photos\/sonic_vigil-5.jpg\" "\\"Coming")
<\/a><\/p>\n
\n
\nExclusive download edition<\/p>\n![\"\"](\"https:\/\/www.gruenrekorder.de\/shop\/img\/covers\/Gruen_096.jpg\")
<\/a><\/p>\n
\nSoundscapes
\n1 Track (30\u203200\u2033)
\nGruen Digital<\/a><\/p>\n
\n
\nAir Pressure<\/a> is a collaboration between Acoustic Science (Kozo Hiramatsu, Japan Society for the Promotion of Science), Sound Art (Angus Carlyle, University of the Arts, London) and Anthropology (Rupert Cox University of Manchester)<\/p>\n
\n
\nErnst Karel<\/a> | Swiss Mountain Transport Systems<\/a><\/p>\n
\n
\nExhibition from 15.10. – 13.11.2011<\/p>\n![\"Gruenrekorder](\"https:\/\/www.gruenrekorder.de\/Photos\/verortungen-entortungen.jpg\" "\\"Gruenrekorder")
<\/a><\/p>\n
\n
\nErnst Karel<\/a> | Swiss Mountain Transport Systems<\/a><\/p>\n
\n
\nInstitut f\u00fcr neue Medien<\/a> (INM)
\nSchmickstra\u00dfe 18
\n60314 Frankfurt am Main
\nGermany<\/p>\n