{"id":6977,"date":"2012-03-30T10:45:38","date_gmt":"2012-03-30T10:45:38","guid":{"rendered":"http:\/\/www.gruenrekorder.de\/?page_id=6977"},"modified":"2012-04-10T14:59:49","modified_gmt":"2012-04-10T14:59:49","slug":"pietro-riparbelli","status":"publish","type":"page","link":"https:\/\/www.gruenrekorder.de\/?page_id=6977","title":{"rendered":"Pietro Riparbelli"},"content":{"rendered":"<p><img decoding=\"async\" title=\"Pietro Riparbelli\" src=\"https:\/\/www.gruenrekorder.de\/Photos\/Pietro_Riparbelli.jpg\" alt=\"Pietro Riparbelli\" border=\"1\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Pietro Riparbelli<\/strong><br \/>\nis a philosopher, composer and sound-multimedia artist based in Livorno (Tuscany). His compositions have been published by Touch (UK), Radical Matters Ed\/Label (IT), Actual Noise\/20buckspin (US), Afe Records (IT), Boring Machines (IT), Old Europa Cafe (IT).<br \/>\nHe is working in Italy with the Enrico Fornello Contemporary Art Gallery. Riparbelli\u2019s performances and installations have been presented at D\u2019Amelio Terras contemporary art gallery (NY), Equinox Festival (London), Nuit Blanche (Paris), Magazzino d\u2019arte moderna (Rome), Palazzo delle Papesse (Siena), Flora (Florence), Fundaci\u00f3 T\u00e0pies (Barcelona), Base progetti per l\u2019arte (Florence).<br \/>\nHe works with performances, sound installations and recorded works and in the last three years has been collaborating through selected projects with Massimo Bartolini, Nico Vascellari, Philippe Petit, Fabrizio Modenese Palumbo, Influx, Francisco Lopez, L\u2019Acephale, Christina Kubisch, Seth Cluett, Burial Hex, Yannick Franck and others.<br \/>\nHe is a curator\/executive producer of the independent music label Radical Matters &#8211; Editions Label with the new series \u201cMetasound\u201d and he his the curator of the project AEDO \u201cCuratorial and Sound Practice\u201d to investigate the dimension between music and contemporary art.<\/p>\n<p>&nbsp;<\/p>\n<p>THE DICHOTOMY OF THE VISIBLE AND INVISIBLE IN THE SONIC PANORAMA<br \/>\nPietro Riparbelli\u2019s study of the phenomenology of perception with particular reference to the dichotomy between the visible and the invisible is closely connected to his conceptual address of the \u2018sonic landscape\u2019. He delves into deep investigation of particular places, taking in the history of the location as well as the current site specifics to reconfigure a sonic panorama (or diorama) through its inherent transcendental aspects in order to create a dimension beyond the purely or merely sonic: a total perceptive and receptive capturing of the place and its visible and invisible tangents, transporting the listener to a new and hitherto literally unheard form, kind and \u2018content\u2019 of sensory experience and therewith: perception. From a specific time and place, to another (listening) time and place and in between, found in Riparbelli\u2019s transmutation and compostional interpretation: an altogether new and invisible (maybe even: non-existing) \u2018vista\u2019\u2026<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.pt-r.com\" target=\"_blank\">pt-r.com<\/a><br \/>\n<a href=\"http:\/\/pietroriparbelli.bandcamp.com\/\" target=\"_blank\">pietroriparbelli.bandcamp.com<\/a><br \/>\n<a href=\"http:\/\/www.radicalmatters.com\/metasound\/\" target=\"_blank\">radicalmatters.com\/metasound<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Gruenrekorder:<\/strong><br \/>\nPietro Riparbelli: \u201c<a href=\"https:\/\/www.gruenrekorder.de\/?page_id=7023\">Three Days Of Silence &#8211; The mountain of the Stigmata<\/a>\u201d<\/p>\n<p>(Gruen 102\/12)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Pietro Riparbelli is a philosopher, composer and sound-multimedia artist based in Livorno (Tuscany). His compositions have been published by Touch (UK), Radical Matters Ed\/Label (IT), Actual Noise\/20buckspin (US), Afe Records (IT), Boring Machines (IT), Old Europa Cafe (IT). He is working in Italy with the Enrico Fornello Contemporary Art Gallery. Riparbelli\u2019s performances and installations [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-6977","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/pages\/6977","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6977"}],"version-history":[{"count":5,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/pages\/6977\/revisions"}],"predecessor-version":[{"id":6979,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/pages\/6977\/revisions\/6979"}],"wp:attachment":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}