<\/p>\n
Reviews | By textura<\/a><\/strong> <\/p>\n Catorce reflexiones sobre el fin<\/a> | Ang\u00e9lica Castell\u00f3<\/a> <\/p>\n Befreit die Maschinen<\/a> | Hannes Seidl<\/a> Reviews | By textura Both of these recent ‚Sound Art Series‘ releases from Gruenrekorder embody the label’s experimental aesthetic and forward-thinking sensibility, the first from Mexico City-born and Austria-based sound artist Angelica Castell\u00f3 and the second Bremen-born and Frankfurt-based Hannes Seidl. Whereas Castell\u00f3’s fifty-four-minute Catorce reflexiones sobre el fin (Fourteen Reflections on the End) […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-20896","post","type-post","status-publish","format-standard","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/posts\/20896","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20896"}],"version-history":[{"count":1,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/posts\/20896\/revisions"}],"predecessor-version":[{"id":20897,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=\/wp\/v2\/posts\/20896\/revisions\/20897"}],"wp:attachment":[{"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20896"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20896"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gruenrekorder.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nBoth of these recent ‚Sound Art Series‘ releases from Gruenrekorder embody the label’s experimental aesthetic and forward-thinking sensibility, the first from Mexico City-born and Austria-based sound artist Angelica Castell\u00f3 and the second Bremen-born and Frankfurt-based Hannes Seidl. Whereas Castell\u00f3’s fifty-four-minute Catorce reflexiones sobre el fin (Fourteen Reflections on the End) spreads fourteen electroacoustic miniatures across two vinyl sides, Seidl’s Befreit die Maschinen (Liberate the Machines) presents its forty-two-minute \u2018Radio drama‘ as a single-track CD, each release available in 300 physical copies.<\/p>\n
\nCastell\u00f3’s functions effectively as a standalone recording, but it actually originated out of a 2019 sound art exhibition at the Museo de Arte Contempor\u00e1neo de Oaxaca, Mexico; in the presentation, recordings were coupled with fourteen magnetic tape-woven bodies hanging in space (photos at her site show one such body hanging from a tree limb). Inspiration for the project came from French medieval poet Guillaume de Machaut, and specifically his words, \u201cMy end is my beginning and my beginning is my end\u201d (reminiscent of \u201cIn my beginning is my end\u201d from T. S. Eliot’s Four Quartets). Castell\u00f3 uses the text as a springboard for self-referential ruminations on memory, death, entropy, \u201cthe return that is always renewed [and] the beginning, as an inevitable mirror of the end itself.\u201d While all bodies inevitably decay and die, they’re reborn too, albeit in a different form. […<\/a>]<\/p>\n
\nIn Befreit die Maschinen, Seidl meditates on a number of ideas, including the one that promised automation would free us from the drudgery of repetitive labour to devote time and energy to higher pursuits. Related to that is the fact that digital technologies have made music production possible for a greater number of people. Yet given that people are still working as much today as before, that anticipated future now begins to seem like a naive delusion. To explore such themes in his 2021 radio piece, Seidl used various computer programs to generate sounds and then augmented them with samples from a 2016 lecture by philosopher Michael Hirsch, \u201cDie \u00dcberwindung der Arbeitsgesellschaft. Eine politische Philosophie der Arbeit\u201d (\u201cOvercoming the Labour Society. A Political Philosophy of Labour\u201d). Consistent with the content Seidl wished to explore in the work, Hirsch’s lecture visualizes a society where labour and payment are separated, resulting in \u201cless work so that everyone can work and live better.\u201d […<\/a>]<\/p>\n","protected":false},"excerpt":{"rendered":"