F.Guyana part II | Marc Namblard

 

F.Guyana part II | Marc Namblard
Gruen 175 (digital bonus)
Audio CD & Digital > [here]
Reviews

 

« F.Guyana part II » is a serie of unreleased field recordings which can be considered as a bonus variation of the album « F.Guyana ».
All sounds were recorded in the forests and coastal regions of French Guiana in November and December 2014, 2015 and 2016 (with Sennheiser MKH microphones and Nagra recorders).

 

This album is only available in digital version.

 

01. Awala’s Garden
Awala Yalimapo, somewhere between the beach at les Hattes and the large swamp of Panato. Soft watery murmur close to the mudflats, (gentle) wind in palm trees, cicadas. Birds chatting: Crested Oropendola (Psarocolius decumanus), Yellow-rumped Cacique (Cacicus cela), Great Kiskadee (Pitangus sulphuratus sulphuratus), House Wren (Troglodytes aedon)…

 

02. Petit Saut, Under the dead trees
South of lake Petit Saut, early morning. Birds are waking up under tall dead trees, relics of a drowned forest: House Wren (Troglodytes aedon), Lineated Woodpecker (Dryocopus lineatus), Orange-winged Amazon (Amazona amazonica).
MP3

 

03. On the dirt road to St-Elie, Primary calls
South of Sinnamary. Daylight soundscape typical of the primary forest undergrowth, with the explosive song of Screaming piha (Lipaugus vociferans) and regular calls of a Smoky jungle frog (Leptodactylus pentadactylus), hidden under a pile of dead leaves.

 

04. Saül, Dark night
North of Saül. Night music, featuring an array of living creatures, including Pristimantis chiastonotus, a small frog (in the foreground), a Spectacled Owl (Pulsatrix perspicillata) and Guianan Red Howler Monkeys (Alouatta maconelli), high up in the canopy.

 

05. On the dirt road to St-Elie, Corayas
Nature trail on St-Elie’s dirt road, mid-morning. A Coraya Wren (Pheugopedius coraya) starts singing and (from 1’11’’) is joined by another to perform a duet.

 

06. On the dirt road to St-Elie, Hypsibias boans
Between grasslands and secondary forest, early at night. A choir of Giant Treefrogs (Hypsiboas boans) close to the woods. In the background, several Rough-skinned Green Treefrogs (Hypsiboas cinerascens) are calling as well as a few Rufous Frogs (Leptodactylus fuscus), in a nearby quarry.

 

07. On the dirt road to St-Elie, Hermit courtship
Near an open-air community hall on St-Elie’s dirt road. Courtship display by Long-tailed Hermits (Phaethornis superciliosus), a species of forest hummingbird, in a small creek. Their compulsive « tsiks » are near-inaudible. Cicadas. A Red-necked Woodpecker (Campephilus rubricollis) is also in the vicinity, recognisable by its short and powerful drumming consisting of two single hits.

 

08. On the dirt road to St-Elie, Dusk.
Same location, at dusk. The calls of a Loreto white-lipped Frog (Leptodactylus rhodomystax) smack the undergrowth. An Oophagous Slender-legged Treefrog (Osteocephalus oophagus) can be heard intermittently, identifiable by its song evoking mocking laughter. A little further away, two other species of Lepdodactylus (Leptodactylus cf. knudseni, Leptodactylus aff. mystaceus) and several Snouted Treefrogs (probably Scinax ruber) liven up a small temporary pool.
MP3

 

09. Inselberg Virginie
Savane-roche Virginie, at the beginning and at the end of the morning. In an area of transition between a rocky outcrop and the forest. A soundscape dominated by the spellbinding song of Green Oropendolas (Psarocolius viridis), high above, followed by the Golden-winged Parakeets (Brotogeris chrysoptera). Receptive ears will notice the small grinding calls of the Amazonian Poison Frogs (Ranitomeya ventrimaculata), hidden in nearby bromeliads, as well as the faint clinking sound betraying the immediate presence of a wasp nest (unidentified species).
MP3

 

10. Camp Caïman, midnight calls
On the road to Kaw, half-way through the night. A few Clown tree frogs (Dendropsophus leucophyllatus) and Giant monkey frogs (Phyllomedusa bicolor) are calling close to a creek, a few dozen minutes after a short but generous shower.

 

11. Salvation Islands
Ile Royale, mid-morning. Undulating cicadas. Bubbling sea.

 

11 Tracks (67′10″)
(digital bonus)

 

 


 

Credits

Sound recording, studio editing and mastering: Marc Namblard
Designed by U9.net
Written by Marc Namblard
Translated into English by Hélène Marchand
Photo credits: Anne-Cécile Monnier, Hadrien Lalagüe, Yann Chassatte, Antoine Baglan and Marc Namblard.
The sounds, texts and images presented here are the property of the authors.
All rights reserved.
A big warm thank you to Yannick Chassatte, Fernand Deroussen, Antoine Baglan, Thomas Tilly, Anne-Laure Allègre & Nicolas Quendez, Pierre Gutierrez & Ronan Monel (Nature de Guyane), Nils de Pracontal & Charlotte Briand, Kami Khazraie, Hadrien Lalagüe, Yannick Dauby, Anne-Cécile Monnier, Daniel Wambach, Sophie Krommenacker, Orlane Cornu, Joanne Lacour, Nicolas Franek.

 

Marc Namblard :
www.marcnamblard.fr
www.promeneursecoutant.fr

 

Field Recording Series by Gruenrekorder
Germany / 2017 / Gruen 175 (digital bonus) / LC 09488 / GEMA / EAN 4050486989432

 


 

Reviews

 

textura
It’s fitting that these Gruenrekorder releases by Katharina Klement and Marc Namblard respectively appear as part of the label’s Sound Art Series and Field Recording Series: peripheries is very much a highly personalized sound portrait the artist fashioned of Belgrade, whereas F. Guyana is a relatively undoctored set of field recordings collected at French Guiana. Both releases benefit from Gruenrekorder’s customary dedication to high-quality presentation, with each fold-out package supplementing its CD with a full-colour booklet of photographs and text that thoroughly enhances the project. Each also rewards a headphones-styled listen when its sound field is so rich in detail and panoramic in spatial definition. []

 

To create F. Guyana, Paris-born Namblard, since 2000 a nature guide, wildlife sound recordist, and sound artist in Lorraine, collected field recordings from the forests and the coastal regions of French Guiana between 2014 and 2016. As mentioned, the seventy-two-minute recording is largely free of artistic intervention apart from the imposition of track durations and the sequencing of its eleven tracks. It’s no less effective, however, for being more straightforward in its presentation than Klement’s, especially when the details of the various French Guiana locations are so vividly captured.

 

Some sounds, such as water burble and insect thrum, are generic as far as field recordings-based material is concerned, but many others give the project a distinctive character. “Crique Popote, Rhinella marina,” for example, is distinguished by the rather woodpecker-like trilling of Cane toads, whereas “Crique Popote, Cacicus cela” similarly tickles the ear, in this case with the bright cawing of Yellow-rumped Caciques and the unsettling cries of Guianan Red Howler Monkeys. Generated by Black Spider Monkeys, Red Howler Monkeys, bees, cicadas, and crickets, the cumulative throb roaring through “Forest drones” is also undeniably arresting (at one point, the strangulated wail startlingly begins to resemble the hollow death rattle of a dying person).

 

F. Guyana is also, strikingly, a great deal more ‘musical‘ than one might expect, given its concentration on undoctored nature phenomena. Animal and insect sounds punctuate droning backdrops of bird chatter and cicada thrum in a manner that suggests the organization of a formal composition. During “Petit Saut, Ara chlroropterus,” to cite one instance, it’s easy to regard the raw vocal declamations of the Red-and-green Macaw as a lead ‘instrument‘ of sorts, with the other sounds taking their place as ground to its figure. Like any effective field recordings-based project, Namblard’s enables the listener to arrive without traveling, so to speak: even if one never ventures to the coastal regions of French Guiana, F. Guyana certainly allows one to get some vicarious sense of what it would be like to do so, through both auditory and, because of the booklet photographs, visual means.
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Łukasz Komła | Nowamuzyka.pl
Jesteście ciekawi jakie odgłosy wydaje świat przyrody Gujany Francuskiej?

 

Odkodowywanie dźwięków natury (przynajmniej w moim rozumieniu) to każdorazowo fascynujący proces, najczęściej będący czymś więcej niż tylko wsłuchiwaniem się w nocne dialogi hord świerszczy, cykad, małp czy ptaków.

 

Niech soundtrackiem do takowych eksploracji będzie niedawno wydana płyta francuskiego artysty dźwiękowego Marca Namblarda, pt. „F.Guyana”. Jego materiał powstał w przeciągu ostatnich trzech lat, dokładnie podczas pory suchej jak i mokrej na terenie lasów tropikalnych Gujany Francuskiej. Dla zainteresowanych dodam, iż Namblarda można spotkać w Lotaryngii (północo-wschodnia część Francji) w roli przewodnika.

 

Francuz podzielił swój album na jedenaście fragmentów – wynotowałem sobie co najmniej kilka, kiedy to w trakcie przedzierania się przez fonosferę lasów tropikalnych, doznałem nadzwyczaj przyjemnego zagubienia, dezorientacji czy uczucia „dotykania” nieznanych mi wcześniej dźwięków. Z całą pewnością do tych wyjątkowych zaliczam w „Crique Popote, Rhinella marina” nagrane na wschód od wsi Saül, gdzie pierwsze skrzypce odgrywa ropucha aga (nazywana też kururu lub ropuchą olbrzymią). Jej odgłosy wydawane nocą robią duże wrażenie. W tym samym miejscu, choć już o świcie, w „Crique Popote, Cacicus cela” stykamy się z pięknymi trelami kacyka żółtosternego. W następnych fragmentach (np. „Kaw Mountain, Manucus manucus”) słyszymy niepozornego aczkolwiek charakterystycznego ptaszka nazywanego manakinem brodatym.

 

Na południe od jeziora Petit Saut zadziwiają okrzyki czerwono-zielonych ar. Nie można pominąć także fascynującego dronu natury („Forest drones”), stworzonego przez zacne grono – małpy: czepiak czarny i wyjce, pszczoły, cykady oraz świerszcze. Chóry kilku gatunków płazów w „Kaw Mountain, Post-explosive breeding” mogą kojarzyć się z elektroniczną sinusoidą o psychodelicznym zabarwieniu, ale pulsującą w samym środku leśnej kakofonii. Zainteresował mnie również świergot strzyżona melodyjnego w „Crique Douille, Arada”.

 

Regularnie opisując na Nowej Muzyce wydawnictwa z oficyny Gruenrekorder zawsze zastanawiam się nad istotą field recordingu. Wydaje się, że wciąż dla wielu osób field recording jest bezsensowną sztuką uprawianą przez zbzikowanych ekscentryków albo introwertyków. Nie twierdzę, że mentalnie pozostajemy jeszcze w latach 30. XX w., choć z drugiej strony warto zadać sobie pytanie: czy chęć poznawania nagrań terenowych przez przeciętnego odbiorcę wyostrzyła się aż tak mocno od czasów największej aktywności artystycznej Ludwiga Kocha (przypadającej na lata 50. i 60. XX w.) ? Spróbujcie sami sobie odpowiedzieć na to być może głupie pytanie, ale myślę, że warte przemyślenia.
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Frans de Waard | VITAL WEEKLY
With the weather being all sunny, and located in a very quiet neighbourhood, I sleep with windows open and every morning birds awake me quite early. Being no ornithologist, I have no idea which one, but one of these birds makes a very high-pitched noise, which is, come early morning, quite irritating. How remarkable, I thought a few hours later, that I don’t mind hearing such sounds when they arrive on compact disc. Gruenrekorder is a German label with an extensive catalogue of works that deal with field recordings (you know this of course from the many reviews already appeared here) and here we have two new ones, dealing with places I have never been too. Which always made me wonder if that is a ‚problem‘ or not; can I fully relate to the work at hand, without ever visited the place? Of course it is a bit of a theoretical question, since the review has to be written anyway.
I started this little trip overseas (for me that is) and joined Marc Namblard on a journey through France Guyana. Namblard, who calls himself a ’sound artist and naturalist‘ is from the North of France and has a few releases to his name (see Vital Weekly 624, 737 and 914). Namblard is entirely focussed on recording the sounds of the rain forest and animal life within that. In the booklet that comes with this (and as usual, no expenses are spared with Gruenrekorder) Namblard gives us information about the location where did his recordings and what kinds of animals we are hearing. He certainly seems to know his stuff. What particularly struck me in the eleven pieces here was the fact that many of the sounds we hear are very minimal and repetitive and also quite musical. I am not sure how that Namblard does his editing, be it that each of these pieces is a strict recording of a particular event with nothing else than just cut ’n paste, or if there is layering of sounds, looping or such like. In a piece like ‚Crique Popote, Rhinella Marina‘, we hear the beginning of night with far away chirping of cicadas and close by the Cane toads (also known as Rhinella marina) and the way the piece unfolds sounds very much like a song; one sound coming in on it’s own and later on repeated, altered a bit, and becoming a kind of chorus. As the CD progresses the sounds get more and more minimal, but also they seem to be electronic; here I was thinking about that bird that woke me up this morning. In ‚Forest Drones‘ one could easily mistake the repeating sound to be that of lo-fi cassette loop, and in ‚Kaw Mountain, Post-explosive breeding‘ it sounds like a synthesizer. It is not easy to think of all of this in terms of ‚just‘ natural sounds, but so it is. This is an excellent release of pure field recordings sounding like some great music. [] Both of these new Gruenrekorder releases are excellent, but I preferred the one by Namblard to the one by Klement, mainly for it’s minimal approach that worked out quite musically.
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Beach Sloth
Absolutely soothing in its reinterpretation of the real, Marc Namblard casts a gorgeous spell on “F. Guyana”. Nicely documenting a world that few others get to truly engross themselves in, the way the piece unfolds is quite masterful adhering to Luc Ferrari’s love for his surroundings. Elements filter in and out of the mix, as every song represents yet another step in the journey. Naturalistic in tone, there is something so warm and inviting about the way Marc Namblard lets the sounds speak for themselves with minimal interference.

 

Sleepy in sentiment is the opener “Awala” with gentle waves giving the sound a distinctly summery flair. One of the most fascinating track is “Crique Popote, Cacicus cela” where the unique sound of the bird at times recalls the digital synthesis of Florian Hecker’s work in terms of its almost angular digital sound. A meditative spacious drone is dominant on the blissful atmosphere of “Boeuf Mort, Dark night”. Much more ominous in execution is the eerie sheen of “Forest Drones” whose tension is without relief. Surreal and yet another highlight comes from the primal disorientating sound of “Kaw Mountain, post-explosive breeding”. As a nice touch Marc Namblard include a digital bonus, which includes the playful “P.St-Elie_Hypsiboas boans”. With “C.Caiman_Midnight calls” Marc Namblard highlights how space is explored by birds with their echoing calls. Ending things with a thoughtful attitude is the luxurious “Salvation’s islands”.

 

Quite engrossing in the unusual locale and the unusual sounds of the lovely creatures who reside there, Marc Namblard delivers a gorgeous view of the world on “F. Guyana”.
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