Gold Lines | Bird & Renoult

 

Gold Lines | Bird & Renoult
Gruen 216 | Cassette (+ Digital) | Digital > [order]
Cards (+ Digital) | I receive you > here
Reviews

 


 

High-frequency trading (HFT) uses complex algorithms to analyse multiple markets and execute orders. In trading vocabulary a signal is a pattern of data that influences these algorithms, inciting them to buy or sell shares or cancel an order. In this business each microsecond is crucial, so finding the fastest and most direct paths between the main exchanges is essential. To transmit this data faster than a blink of an eye, an almost forgotten and surprisingly fast technology is used, radio waves. Since 2016 we have been mapping these radio routes by finding the pylons, frequencies and relay links that transmit HFT data back and forth, in loops that cover the Earth.
The core material of this edition explores recordings of the Super High Frequency radio waves, signal noise and field recording we have captured at the base of antennas between Chicago and New York, London and Frankfurt between 2016 and 2020. (B&R)

 


 

LiNE_A

 

A1 LINE OF SIGHT (2:06)
A2 GOLD RUSH (1:55) | MP3
A3 THE GOLD LINE (10:18)
A4 HOUTEM (5:35) | MP3
A5 FOLLOW THE LINE (7:48)
total time : 22:01

 

LiNE_B

 

B1 JUST A BIT (1:55) | MP3
B2 HIGH FREQUENCY FEEDBACK (15:36) | MP3
B3 TICK-BY-TICK (3:06) | MP3
total time : 20:41

 

8 Tracks (42′42″)
Cassette (200 copies)

 


 

Equipment : Hackrf one – Mixpre6 – Mixy – NTG3 – s502 – DO21 – Geofón – Wingie v1
Recordings : DinahBird
Editings : DinahBird, Jean-Philippe Renoult
Mixing : Jean-Philippe Renoult
Mastering : Djipi Inc
Graphic & Design : Coraline Janvier & Lea Tortay

 


 

Gold Lines is part of the composite project Antenna Gods
bird-renoult.net/antenna-gods

 

Sound Art Series by Gruenrekorder
Germany / 2023 / Gruen 216 / LC 09488

 


 

Reviews

 

Rigobert Dittmann | Bad Alchemy Magazin (122)
BIRD & RENOULT, das sind DinahBird und Jean-Philippe Renoult, sie Jg. 1975 und aus London, er Jg. 1967 und aus Paris. Dort ma­chen sie zusammen konzeptionelle Klang­kunst, die um Fragen der Diffusion, Transmis­sion und der Erinnerung kreist, mit dem Oh­renmerk auf Radiowellen, Taperecorder, An­tennen, Transistoren, Ghettoblaster und Un­terseekabel. Protagonist von Gold Lines (Gruen 216/23, MC + Digital) ist einerseits die algorithmische Mikrowellenverbindung zwi­schen der New York Stock Exchange und der Chicago Mercantile Exchange. Und die Ver­bindung zwischen den Londoner und Frankfurter Börsen quer durch Belgien andererseits. Geprassel und eine technische Beschreibung des Transfers mit dicker Amizunge, rhyth­misches Zucken, als würden Nuggets gesiebt, und eine Feueralarmsirene geben dem Ge­schäft der gold- und profitberauschten Heuschrecken den zwiespältigen Anstrich, den es verdient. You don’t see it, you don’t smell it, You can’t taste it, but it’s there, und über kurz oder lang stinkt es zum Himmel. Mir stellen das Rauschen im Äther, meertiefe Rumoren, geigerzählerhafte Prickeln, schrottige Scheppern, stürmische Flattern den Lauf der Dinge vor Augen: Oben unhörbar, unsichtbar – außer in ihren protzigen Yachten – baden die Uncle Scrooges in ihren Milliarden, unten mehren sich Sintflut, Feuersbrünste, Müllberge, Verwüstung. Das rebellische Aufbegehren dagegen erweist sich bei ‚Just a bit‘ als Ge­schrei eines Auktionators. Dazs Ganze spielt sich hinter einem rauschenden, pulsenden, pfeifend bebenden, hochfrequent flimmernden und brummigen Schleier ab, vor dem man Lotto-Könige und Quizz-Millionäre gaukeln lässt, statt – ja was? An die Laternen? Und zwar, das grollende, klirrende, wummernde, tockende ‚Tick-by-tick‘ fordert es unverblümt, Zecke für Zecke? [BA 122 rbd]
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Frans de Waard | VITAL WEEKLY
Here are two musicias from France, DinahBird (no space apparently) and Jean-Philippe Renoult, with a strong interest in radio sounds. „Their work includes sound pieces, installations, broadcasts, performances and publications and is often inspired by early transmission technologies and archives. Their current interests include, electromagnetic hums, old weather, loops, drones, and high frequency trading.“ This new cassette deals with the fact that (again, apparently), radio transmissions are used in stock trading. Of the utmost importantce is speed, and radio provides something that is faster than the Internet. This is called High Frequency Trading, and Bird and Renoult are looking for pylons in the landscape used for this, and they recorded the pieces on the cassette ins-yu. One is a line from Frankfurt to London, and the other from New Yourk to Chicago, give or take. Sometimes a voice explains what’s going on, but it’s mostly music. I would have liked the music, even without the backstory, which I find an interestiing addition. Somewhere between a soundcape created with buzzes and hums, radio static and electromagnetic currents and proper electronic composing with these sound events we find the pieces (not sure how many there are on this cassette). Maybe there is some processing going on, and the whole thing has a musique concrète-like approach, which I enjoyed very well. Thanks to the occasionally spoken word, there is also a radiophonic component to this music. I understand the need for a release on cassette, but with the delicacy of some of the music here, I wouldn’t mind a CD version of this. Even when the background story isn’t entirely clear, especially what it is they recorded, the music is very enjoyable. Great release, altogether.
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